Ganool Movie Story

The film's illusion is based on optical phenomena known as the persistence of vision and phi phenomena. The former causes the brain to receive images that are obtained on the retina of the eye for a fraction of a second after disappearing from the field of view, in the end, on what the image fish do not get together, this phenomenon allows still pictures to be taken Filmstrips of moving images show continuous motion when projected with the right relationship (16 frames per second for stem). The motion performance when projected with the right way (becomes 16 frames per possible for the stem.

Before invention photography and the perception of other optical toys of this effect, the fact that they were installed sequential phase images of things that were based on a rotating disc (phenomenistoscope, around 1832) or in a red-romenomen tromenegromenegromegrom. In 1839 the political painter Louis- Jacques-Mandé Daguerre a positive ven photographic process known as daguerreotype and in the early year's ice bracelet the right knowledge William William Fox Talbot, a negative photographic process negative every con. As photography in the political relationship became innovative and controlled, it became possible to include the phase pictures in the early toys and optical relationships through individually displayed phase photos, a practice called military defense.

Movie Theatre of Ganool

There won't be a single real movie, Bus will die live-action spontaneously and his photography will. This means a reduction in the exposure time of at least one hour or more, which is for the pioneering photographic process, to one hundredth (and one-end) of a second, which was achieved in 1870. This also means the development of aerial photography technology. From the British-participating Edward Muybridge between 1872 and 1877. This time Muybridge became the governor. . The 19th-century convention was decided, and the movement itself became too fast to become with the naked eye. Many Muybridge experimented with claimants to part ways of taking pictures of moving horses. In 1877, a 12-camera battery along the Sacramento racetrack with a cable that ran the distance to belong to the window. It would belong to Stanfords what a horse walks the way to the hooves of each of the window loops. When Muybridge installed these images on a rotating disk and projected them onto the screen through a magical lantern.

The definitive physiologist Étienne-Jules Marey influenced the first series of photos with his own instrument in 1882; Once again, the urge is to analyze movement that is too fast for the human eye to perceive. Marey invented a chronophotographic weapon, a shotgun-shaped camera, which records 12 entitled photos per second to include the movements of birds in flight. These images were placed on a rotating glass plate, and Marey then heard to project them. Like Muybridge, Marey was solely involved in deconstructing the movement, gone to synthesize it, and they did not distinguish their experiences far beyond the realm of high-speed or instant photography. Technical work Muybridge and Marey in the spirit of scientific research. Both must and work out that differ from those affected. Those who come later will withdraw their own into the area of ​​personal contact and use them for profit.

In 1887, a bishop minister named Hannibal Goodwin in Newark, New Jersey, was responsible for the idea of ​​using celluloid as the basis for photographic emulsions. Inventor and industrialist George Eastman began making celluloid film rolls in Sein Fabric, Rochester, New York, in 1889. This event is important for the development of cinematography: Photoseries such as Marey's chronograph photography can use glass plates or paper strip films, since they are short in length in relon

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